Old Movie Who He Said Tiger Claw Funny

Er long zheng zhu (1974) Poster

TIGER'S CLAW: Cliff Lok aims for the top in average kung fu motion-picture show

TIGER'Southward Hook (1974) has a uncomplicated, serviceable plot nigh a wandering kung fu champ, played past Cliff Lok, who seeks out champion fighters so he can fight and beat them purely to satisfy his ain egotistical need to know he'due south the best. When he learns of an elusive fighter chosen "the Tiger" who is said to exist unbeatable, he seeks him out fifty-fifty if it means getting himself arrested afterwards a faked rape attempt staged with his female partner, so he can go to the jail where the Tiger has been imprisoned. To brand a long story curt, Cliff finds the Tiger (Shih Kien), breaks him out of prison, and takes him home to his foster female parent who turns out to be the Tiger'due south former maid. Tiger refuses to fight and instead seeks out his old sworn brother who had set him up on the murder charge which put him in jail twenty years earlier. The Tiger is tricked by the sworn brother into getting drunk and is about to be killed when Cliff intervenes, solely in the interest of keeping the Tiger alive for their destined bout.

One time one gets past the lengthy prison sequence, the film settles into a steady serial of fast and furious well-choreographed paw-to-mitt (and stick-to-stick) fight scenes. Cliff Lok, and so a rising kung fu star (yet to do such keen kung fu films as KUNG FU GENIUS and RING OF Decease), fights veteran fighting star Shih Kien (best known in the west for his portrayal of the villain Han in ENTER THE DRAGON) in two major fight scenes. The fighting high signal is a spectacular brawl in which Cliff takes on a dozen or and then henchmen of the Tiger'due south sworn brother, all of whom are armed with sticks or knives.

Cliff is more intense here than usual, leaving out the humor he displayed in KUNG FU GENIUS and MAD MAD KUNG FU (aka OL' Dirty KUNG FU), amidst others. Here he's just a cocky, arrogant, 20-year-old who thinks he's the best at that place is. The ending is somewhat unsatisfying and comes with a message about not devoting one'southward life to fighting. But if these characters didn't devote their lives to fighting, there'd be no motion picture.

The main actors are Cliff and Shih Kien and they do a fine job of conveying the movie. There's a cute actress I can't identify who plays Cliff'due south classmate and sidekick who travels with him, helps him out of jail and fifty-fifty helps fight at one signal. But when Cliff faces the Tiger she begins to fear for his life and her cheerleading fades somewhat.

The moving picture is low-budget and the cinematography not equally nice equally we'd like, a problem exacerbated by the poor quality full-frame DVD re-create of the pic that's commercially available. The English dubbing is kind of strange. The actors all audio Asian or Asian-American, but are somewhat inexperienced at vocalism dubbing. The goal may take been to make the voices more than authentic-sounding, but it just calls unnecessary attending to itself. Overall, withal, if you're a Cliff Lok completist, you should probably see this.

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3 /10

Kung fu cheapie with an unpleasant hero

Warning: Spoilers

I thought this kung fu cheapie was pretty dreadful if I'm honest. It was clearly made later the success of ENTER THE DRAGON as it features that motion picture's top villain, Shih Kien, as another antagonist, although the youthful hero is played by the familiar Cliff Lok. I discover a lot of these early-to-mid '70s efforts to be pretty brainless viewing and not as much fun as the ones that were existence made v or so years afterward. Monetary constraints are a large event with films of this era.

What I hated about SHAOLIN TIGER'Due south CLAW is the story, which is completely nonsensical. Lok plays a brash young guy who for some reason decides to pick a fight with a primary criminal known as the Tiger. The problem is that the Tiger is in prison house, so Lok sets up an attempted rape so that he can join him. The prison interlude is the well-nigh interesting part of the production. The residuum plays out as expected, with the complication of a rival main who commits betrayal and sends a bunch of henchmen out after the main characters. The motion-picture show but actually comes to life at the climax, set at a hilltop fort, but the principal character is such a jerk that I didn't like this at all.

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5 /ten

An to a higher place average Sek Kin, a totally average 1970s martial arts movie

I offset watched this back in 2015 simply did non post a review. That was because I was impressed with Sek Kin and wanted to see if my impression held upward over time. To clarify the review by ajoyce1va, Sek Kin was actually threescore years old when he fabricated this film. That is impressive.

Sek Kin was fresh off the gear up of "Enter the Dragon" (equally Mr. Han). He is in jail for a criminal offense he did not commit, like they all say. Cliff Lok really likes to fight. He likes to fight and so much he gets sent to prison just to fight Sek Kin. At that place is a dramatic revelation virtually the two men.

Cliff Lok's showtime starring role was in 1972 "A Man Beyond Horizon". Sek Kin also costars in this movie. I likewise reviewed 1972 "The Roaring Panthera leo". I rated the terminal fight of Cliff Lok versus Sek Kin as one of the best fights of all fourth dimension. Cliff Lok was a existent Peking opera martial artist and stunt man with top skills back so. Hundreds of other real martial artist/stunt men/acrobats were too crowding movie productions and getting paid nearly $ten/day. Cliff started as a stunt human being in 1966 in "The Knight of Knights". He peaked in those two movies with Sek Kin. In 1974 he starred in "Chinese Kung Fu Against Godfather". This was his "European Vacation" movie. A martial arts flick star who did a European holiday motion-picture show back then was the equivalent of a rock star doing a Christmas album. In other words - information technology's all over.

The fights are good in this film. Sek Kin is very expert. He did 16 or more consecutive moves without a cut, used a staff, and virtually never used a stunt man. The story line is unrealistic and the characters all one dimensional. The plot twist about the relationship between Sek and Cliff was done with exposition instead of the rule "Show, don't tell".

I recommend this movie for all fans of martial arts movies of the golden historic period from 1967 to 1984. Despite the recommendation, I notwithstanding can't charge per unit information technology more than but boilerplate for the year and genre.

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two /10

So pedestrian!

The people involved in this movie didn't listen to Bruce Lee when he said that kung fu activeness should have emotional content -- not necessarily acrimony, but something other than a full body dance.

I agree with the earlier comment that the dubbing in this picture show is weird -- very slow to keep step with the original Chinese give-and-take flow -- and once again, there's not much sign of emotional content.

The photography is nothing special either. This was a very low upkeep venture, possibly filmed in Macao to approximate by the look of the seaside fortifications the two men fight effectually. There are only ultra-inexpensive special effects, and no attempts to backfill light on the actors when there'south no sun on their faces and brilliant sky behind them. As a issue, at that place's a surprising amount of daytime action that is inappreciably visible. Camera lenses can only do and then much. The producers didn't seem to care, either.

I know this goes against the traditions of the genre, but subsequently 15 or 20 minutes of constant fighting, complete with loftier kicks, jumps, throws, and so on, shouldn't somebody appear to exist out of jiff? At that place are no concessions to reality here.

Still, information technology'south nice to see Shih Kien every bit a vigorous man in (I'd approximate) his tardily 40'southward, still being able to handle the demands of the kung fu action.

Lesser line -- don't waste your time or money buying or renting this movie, but if information technology plays on cable and you don't have anything amend to do, it won't hurt to watch it.

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